front cover of Popular Errors
Popular Errors
Laurent Joubert
University of Alabama Press, 1989

Laurent Joubert was an important figure in the medical world of the French Renaissance. Born in 1529, he became a doctor at age 29 and shortly thereafter was appointed personal physician to Catherine de Medici and later became physician to three French monarchs. Joubert was an educator as well as a physician, and he wrote several works of medical literature, including his most controversial work, Erreurs populaires. While the work focuses on popular misconceptions concerning medicine and physicians in France in the 1500s, it also represents a wealth of information on the social, economic, political, and religious worldviews that framed and thus supported the development and conduct of medical science.

Gregory de Rocher’s skill as a translator brings this highly readable and very funny book to life. Many topics central to Joubert’s thesis in the 1500s remain contemporary themes in the popular and scholarly literature of the 1980s.

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front cover of The Second Part of the Popular Errors
The Second Part of the Popular Errors
Laurent Joubert
University of Alabama Press, 1995

English translation of the second volume of Laurent Joubert’s 1578 French work Erreurs Populaires

Joubert proposed to dispel folk remedies and folklore still relied on by doctors and care-givers in France. It also challenged medical theories and advice from classical Greek and Latin writers that French doctors followed uncritically.

Gregory de Rocher’s skill as a translator brings this highly readable and very funny book to life. Many topics central to Joubert’s thesis in the 1500s remain contemporary themes in the popular and scholarly literature of the 1980s.
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front cover of Treatise On Laughter
Treatise On Laughter
Laurent Joubert, Translated by Gregory David de Rocher
University of Alabama Press, 1980

Laurent Joubert (b. 1529) was an important figure in the medical world of the French Renaissance. His monumental Treatise on Laughter provides categories and examples of the laughable. The work describes laughter, its causes and effects, its types and differences. His subdivisions and categories, along with their examples, furnish today's critic and reader with a Renaissance vision of comic commonplaces. It is this vision that may prove to be of great value in analyzing comic literature of the Renaissance.

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